This month: the split nobody wrote down, and three studios that fixed it.
How to split a song without losing friendsGuide · 9 min
Forty sessions, zero awkward textsStory · 6 min
Mobile money payouts, now in KenyaProduct · 2 min
Journal
Guides on splitting songs fairly, stories from studios in London, Lagos and further afield, and the odd note on what we've shipped. One issue a month, on the 1st, alongside payday.
Song versus recording, who counts as a writer, the usual starting points and what to write down before anyone leaves the room. The conversation nobody wants to have, made a lot shorter.
Read the guideA two-room studio in Lagos on starting every session with a sheet, and why the engineer is the one who sends it round.
Missing writer IDs and half-filled registrations leave money sitting in society pots. A plain look at how that happens and how to get in front of it.
How to handle a feature when the verse arrives by voice note, the fee is already paid and the split hasn't been mentioned.
Collaborators were dropping off at the account screen. So we removed it. Notes on the redesign behind v4.2.
A Manchester four-piece on tidying up 60 old tracks after their drummer moved to Accra, and what they wish they'd written down at the start.
Publishing, master royalties, neighbouring rights: the two halves of a track, why they pay different people and why both need a split.
The nine-to-eleven digit number that follows you through every registration. How to get one, and what to do if you've never joined a society.
Collaborators in Accra and Nairobi can now be paid straight to their wallet on the 1st, in cedis and shillings.
A London guitarist on going from flat fees to recording shares, and the one sentence that made the conversation easy.
The TrackLedger letter · monthly
A new guide, a story from a session somewhere and what changed in TrackLedger. Short enough to read while the bounce renders.
Before the bounce
Start a split sheet in the room, send it round, and let every share find its own way home. Free for every track you make.