Artists · producers · session players

Whatever you did on the track, you get paid for it.

Wrote the hook, built the beat, played the solo or mixed it at 3am — TrackLedger puts your share on paper before you leave the room, and sends it to you on the 1st of every month.

Pick your role

Same sheet, different jobs.

Everyone on a track needs something slightly different from a split. Here's what TrackLedger does for each of you.

For artists & writers

Your song, signed off in the session.

Start a sheet before the idea's even finished. Everyone in the room scans in, agrees their share and signs on their phone — and you never have to chase a co-writer for an email address again.

  • Separate song and recording splits
  • Registered with the societies once it's signed
  • A public credits page for every release
11 minsession to fully signed
£0to start

Artists & writers

Every name on the song, before the bounce.

The cheapest time to agree a split is while everyone's still in the room. TrackLedger makes it a two-minute job, then files the song, the recording and the credits so the money can actually find you.

  • ASong and recording, kept apart. Writers split the composition, performers split the master — the way societies actually pay.
  • BWriter IDs checked. TrackLedger matches your society details before anything's filed, so registrations don't bounce.
  • CLiner notes, online. Every release gets a public credits page with every name on it.
TrackLow Tide
Topline, lyricsMarlow Fen · 40%
Production, musicKofi Lune · 30%
Guitar, musicTess Reyes · 20%
Feature vocalAma Osei · 10%
Mix engineerInes Varga
Status4 of 4 signed

Producers

Sell the beat. Keep your points.

Producer deals are usually a fee, some points on the master and a slice of the writing — agreed over voice notes and forgotten by the time the track charts. TrackLedger keeps all three on the sheet, signed.

  • AFee, points and writer share. Three lines on one sheet, each signed by the people it affects.
  • BBeat licences on file. Attach the licence you sold, so a placement years later still traces back to you.
  • CYour catalogue, one view. Every track you've produced, what it earned and what's still waiting on a signature.
Kofi Lune · this month9 tracks paying
Low Tide30% writer · 3 points on masterSigned
Gold Teeth50% writer · co-produced with Ade SolaPaying
Paper Moons (remix)£600 fee · 2 points1 signature left
Untitled 0412Beat licence · non-exclusiveLicence on file
Saltwater15% writer · Halde feat. Tess ReyesPaying

Session players & engineers

You played on it. Now it pays you back.

Session fees cover the day. Neighbouring rights and royalty shares pay for years — but only if your name was filed. TrackLedger credits you on the session and files you as a performer, wherever the track ends up.

  • AJoin from the live room. Scan the code on the studio screen and you're on the sheet with your role and payout details.
  • BFee and share, side by side. Paid a flat fee, a share, or both — it's written down either way.
  • CA credits profile that sells you. Every track you've played on or engineered, in one link.
Performer shares on the Low Tide recording, October payouts
PerformerRoleShareOct 1
Tess ReyesGuitar20%€289.92
Ama OseiVocal10%₦242,773
Ines VargaMix, Berlin2%€28.99
Yusuf BelloEngineer, LagosFeePaid in session
I've played on records that went gold and never seen a penny past the session fee, because nobody filed my name. The first month on TrackLedger, three old tracks started paying me.
Joel Maren — session guitarist, London
41,300

creators with a signed share on TrackLedger

11 min

median time from session to fully signed

6,200

session players credited for the first time

30+

currencies paid on the 1st of the month

Before the bounce

Settle the split before the session ends.

Start a split sheet in the room, send it round, and let every share find its own way home. Free for every track you make.

  • £0Split sheets, forever
  • 11 minSession to fully signed
  • 1stPaid every month